The album was consistently imbued with images of mortality, and it all came together on the abstract, electronic-tinged final track, "The Crucifixion." Usually taken to be about John F. ![]() His social criticisms here were complex, and they went largely unnoticed on a long album full of long songs, many of which did not support the literal interpretations they nevertheless received. Though the lyrics were usually not directly political, they continued to reflect his established points of view. The result was Pleasures of the Harbor, his most musically varied and ambitious album, one routinely cited as his greatest accomplishment. Pepper's vast expansion of pop music, Ochs wanted to make a record that reflected all these trends, and he hired producer Larry Marks, arranger Ian Freebairn-Smith, and pianist Lincoln Mayorga - all of whom had classical backgrounds - to help him realize his vision. Going into the studio after Dylan's move into rock accompaniment and Sgt.
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